Advantages of Psychological Observation.—That reflection regarding the human, all-too-human—or as the learned jargon is: psychological observation—is among the means whereby the burden of life can be made lighter, that practice in this art affords presence of mind in difficult situations and entertainment amid a wearisome environment, aye, that maxims may be culled in the thorniest and least pleasing paths of life and invigoration thereby obtained: this much was believed, was known—in former centuries. Why was this forgotten in our own century, during which, at least in Germany, yes in Europe, poverty as regards psychological observation would have been manifest in many ways had there been anyone to whom this poverty could have manifested itself. Not only in the novel, in the romance, in philosophical standpoints—these are the works of exceptional men; still more in the state of opinion regarding public events and personages; above all in general society, which says much about men but nothing whatever about man, there is totally lacking the art of psychological analysis and synthesis. But why is the richest and most harmless source of entertainment thus allowed to run to waste? Why is the greatest master of the psychological maxim no longer read?—for, with no exaggeration whatever be it said: the educated person in Europe who has read La Rochefoucauld and his intellectual and artistic affinities is very hard to find; still harder, the person who knows them and does not disparage them. Apparently, too, this unusual reader takes far less pleasure in them than the form adopted by these artists should afford him: for the subtlest mind cannot adequately appreciate the art of maxim-making unless it has had training in it, unless it has competed in it. Without such practical acquaintance, one is apt to look upon this making and forming as a much easier thing than it really is; one is not keenly enough alive to the felicity and the charm of success. Hence present day readers of maxims have but a moderate, tempered pleasure in them, scarcely, indeed, a true perception of their merit, so that their experiences are about the same as those of the average beholder of cameos: people who praise because they cannot appreciate, and are very ready to admire and still readier to turn away.